As a new era of adidas EQT dawns and the infamous green Three Stripes reappear across the German brand’s functional and minimalist product, it’s important to reflect on the history of the legendary line, its cultural capital and its rich heritage of sporting excellence.
After the heady excess of the ’80s, where bright colours, maximalist design and in-your-face gaucheness reigned supreme, the latter part of the decade and the early ‘90s saw a shift in design language and perception. Searching for an antidote to the decadence of the decade of greed, adidas’ marketing guru Robert Strasser and design legend Peter Moore took things back to the origins of the brand in the face of dwindling sales and a pessimistic business outlook on the horizon. Looking to the past as a way of looking to the future, Strasser and Moore pored over early images in the adidas archive at the brand’s HQ in Herzogenaurach, evaluating what led the brand to becoming a titan of sportswear in the mid 20th century. Becoming enamoured with the sentiment of the brand at its origins and infancy, the duo sought to create a compelling, modern demonstration of that same passion for producing sporting footwear and apparel with a distinct adidas edge. Embodying Louis Sullivan’s often quoted maxim, “form follows function”, Strasser and Moore’s fledgling project began to grow legs, with their ideas and approach filtered through this attitude and ideological perspective. Working under the principle first championed by Adi Dassler when the brand was founded in 1949, “only the best for the athlete”, Strasser and Moore focussed on creating product that symbolised a dedication to athletic excellence, starting from the trainers up.